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3/3/2021

What is a Protagonist's "Rebirth"?

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How the Finding of the "Treasure"
​Leads to a Protagonist's Resurrection


It is the destiny of the hero or heroine to undertake the weight of hardships within a story. But it is the journey to the crisis that determines the essence of the resurrection. Only birth has the power to spite the fangs of death; only birth can crawl from its jaws, unscathed, and thusly, the only way to overcome the conflict is to be renewed.
It is the resurrection that overcomes—not just death—but the World as a whole. In the ways of tarot, the Fool begins his journey unscathed and innocent, and, even if a bit jaded or even cynical, he still begins with no knowledge of the machinations that lay to snare him. The crisis looms before him, and he walks evermore to the edge of darkness.

When I speak of the climax of a hero’s journey, I don’t merely speak of the climax proper, though that is the easiest to distinguish, but I rather speak on the points within a tale that causes the hero to change. A “climax” entails many things and can also be called the “twist” or “turning point,” but any name denotes the same effect: it is the point in a story where the hero amounts to his characterful purpose within the realm of the narrative. It is here where he must decide to live or die, and it is here that he must rise to the challenge.

​But it is impossible for him to do so at first. As the tarot of the Fool cannot stand against the mark of the World, the hero of a story must be molded into the instrument of the antagonist’s bane. He must die, and be reborn, for only in the act of self-abandonment can the new overcome the old—and with the emergence of the new, evil finds itself undone.

Picture
Photo by William F. Burk

The resurrection of the mind, body, spirit, or self is not given to the hero, for if it was, the hero would not be such. No, it is through great courage that the hero undergoes this change. It is selflessness and virtue, for when ones virtue supersedes their self-preservation, that is true courage.
​
But what exactly does the term “resurrection” mean in this context? It is the acquisition of the “treasure.” The hero faces the antagonist—he faces the great evil—and fails. He dies sometimes, but that is not always true. What counts is that, in this moment, he is inadequate. He needs one more push to excel to greatness. It is in this time that he finds the Sword, he unleashes hidden magic, he ascends to godhood; it is in this time of dire need that he finds who he truly is. We are not so much different than the hero in this regard. Surely there is no Sword to be given, no magic to abound, and we are dreadfully mortal. But we still remain forever able to find our true selves lost within the fears of the darkness of our minds. We may not live in the lands of fantasy or legend, but within us lies the same courage, the same strength, the same will, the same hope; within us, we are similarly human. It is within ourselves that, though we’ve not the magic of the hero of myth, we contain within our capacity the makings that make him what he is. And as long as we face the World with these qualities, despite our trials, we can always grow—we can always be resurrected anew to face the evils of the world. The light of the hero of myth is grandiose for sure, but within him abides, courage, love, hope, strength, faith, and so on.
The hero is grandiose for sure, but if you look closely—if you looks deep within, you will find that, perhaps at a turning point in life, you too are quite the same.

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    William F. Burk

    Award-winning author of fantasy, flash fiction, and poetry.  Author of "The Heart of Hearts," a debut fantasy novel. Always writing, forever and ever.

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  • Home
  • Books by Burk
    • Short Stories
  • Burk's Blog
  • 日本語の短編小説
  • YouTube Channel
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